New This Week
Critics & Publications
Archives: A-Z Index
Advanced Search

Upcoming Release Calendar
Awards & Bests By Year
All-Time High Scores
All-Time Low Scores
How Metascores Are Calculated
Discuss Film In Our Forums

sort by name

sort by score

97 4 Months, 3 Weeks and 2 Days
xx Beer for My Horses
75 Boy A
xx Christmas on Mars: A Fantastical Film Freakout Featuring the Flaming Lips
48 Death Defying Acts
85 Edge of Heaven, The
33 Elite Squad
80 Encounters at the End of the World
20 Expelled: No Intelligence Allowed
86 Flight of the Red Balloon, The
54 Get Smart
73 Gonzo: The Life and Work of Dr. Hunter S. Thompson
34 Happening, The
25 Hell Ride
78 Hellboy II: The Golden Army
44 Henry Poole is Here
61 Incredible Hulk, The
65 Indiana Jones and the Kingdom of the Crystal Skull
46 Jack Brooks: Monster Slayer
57 Journey to the Center of the Earth 3D
xx Kiss the Bride
63 Kit Kittredge: An American Girl
73 Kung Fu Panda
52 Milarepa
62 Mister Foe
53 Mister Lonely
74 Mongol
61 On the Rumba River
83 Paranoid Park
32 Perfect Holiday, The
49 Pirates Who Don't Do Anything: A VeggieTales Movie, The
63 Planet B-Boy
72 Priceless
63 Sisterhood of the Traveling Pants 2, The
70 Standard Operating Procedure
35 Star Wars: The Clone Wars
57 Stone Angel, The
47 Strangers, The
61 Stuck
55 Sukiyaki Western Django
63 This Christmas
71 To the Limit
72 Transsiberian
71 Tropic Thunder
79 Visitor, The
93 WALL-E
37 War, Inc.
xx Whaledreamers
54 What We Do Is Secret
66 When Did You Last See Your Father?
54 You Don't Mess with the Zohan
39 Young People F**king
45 Zombie Strippers

Stars indicate the most critically-acclaimed movies.

Baby Mama
Universal Pictures


6.6

based on 34 reviews
Read critic reviews
How did we calculate this?

based on 33 votes
Read user comments
Rate this movie

MPAA RATING: PG-13 for crude and sexual humor, language and a drug reference

Starring Tina Fey, Amy Poehler, Greg Kinnear, Dax Shepard, Romany Malco, Maura Tierney, Holland Taylor, and Sigourney Weaver

Successful and single businesswoman Kate Holbrook has long put her career ahead of a personal life. Now 37, she's finally determined to have a kid on her own. But her plan is thrown a curve ball after she discovers she has only a million-to-one chance of getting pregnant. Undaunted, the driven Kate allows South Philly working girl Angie Ostrowiski to become her unlikely surrogate. Simple enough... After learning from the steely head of their surrogacy center that Angie is pregnant, Kate goes into precision nesting mode: reading childcare books, baby-proofing the apartment and researching top pre-schools. But the executive's well-organized strategy is turned upside down when her Baby Mama shows up at her doorstep with no place to live. An unstoppable force meets an immovable object as structured Kate tries to turn vibrant Angie into the perfect expectant mom. In a comic battle of wills, they will struggle their way through preparation for the baby's arrival. And in the middle of this tug-of-war, they'll discover two kinds of family: the one you're born to and the one you make. (Universal Pictures)

GENRE(S):	Comedy
WRITTEN BY:	Michael McCullers
DIRECTED BY:	Michael McCullers
RELEASE DATE:	DVD: September 9, 2008 Theatrical: April 25, 2008
RUNNING TIME:	96 minutes, Color
ORIGIN:	USA

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

Charlotte Observer Lawrence Toppman

It's the chemistry between the stars that makes the film stand out in a drab spring.

TV Guide Ken Fox

Even though Kinnear is meant to be obvious love interest, it's the relationship between Kate and Angie that becomes the film's central story, making this comedy sweeter -- and more honest in its depiction of class difference -- than one might otherwise expect.

USA Today Claudia Puig

Though the competition hasn't exactly been stiff, Fey and Poehler may well be the best female comedy duo since Lucy and Ethel.

Philadelphia Inquirer Carrie Rickey

Best when skewering New Age entrepreneurs for what might be called Compassionate Capitalism. Steve Martin is sublime as Kate's boss, Barry, purveyor of organic food and Zen koans.

Boston Globe Wesley Morris

In this era of Apatow and Ferrell and Rogen and Wilson, of men monopolizing movie comedy, Baby Mama feels absurdly momentous, and even political. Fey and Poehler aren't just taking back control of their bodies. They're taking back control of their profession.

Entertainment Weekly Lisa Schwarzbaum

Although the big picture itself gets mushy, the small moments, especially involving Fey, are sharp.

Time Richard Corliss

This is a comedy with the old-time blend of wit and sentiment. Years from now, when you stumble across it on TV, you could persuade yourself that, back in the two-thousand-oughts, they made pretty good movies.

Salon.com Stephanie Zacharek

An essentially sweet-natured picture that doesn't go as far as it could.

Variety Todd McCarthy

Fey is a delight to watch throughout.

New York Post Lou Lumenick

Surely, if Fey herself had written Baby Mama, this mild cross between "Baby Boom" and "The Odd Couple" would not be so crushingly predictable.

ReelViews James Berardinelli

There's nothing terribly wrong with Baby Mama but it's probably better suited for viewing on television, where many of the participants cut their teeth. This is small screen stuff masquerading as something bigger.

The New Yorker Anthony Lane

There are gags and scraps of action that give the movie fits of buoyancy, and these tend to come not so much from the younger, eager performers as from the old hands.

New York Daily News Joe Neumaier

In a pleasing contrast to Fey's sharpness, Poehler keeps her performance unpredictable and fuzzy. In this just-add-water comedy, a very funny movie star is born.

Los Angeles Times Carina Chocano

The movie hardly allows itself any sharp moments at all -- it's much too sweet-natured to be cruel, and much too cheerful to be angry. It probably could have pushed a few more buttons, but Baby Mama aims to please and succeeds.

The Hollywood Reporter Michael Rechtshaffen

Baby Boom serves up plenty of smart, knowing laughs early on, but by the time it hits the third act (or would that be trimester?), it barely crawls to the finish line.

The Onion (A.V. Club) Keith Phipps

It's not without laughs--Poehler and Fey, as ever, have strong chemistry, and there's a truly bizarre scene in which Martin offers Fey a strange "reward" for a job well done--but there's a lot of arid space between them.

Seattle Post-Intelligencer Sean Axmaker

Writer/director Michael McCullers sprinkles the film with sight gags and comic characters (the lisping birth coach becomes funny out of sheer doggedness), but his pacing is poor and doesn't know how to showcase the small-screen chemistry of Fey and Poehler on the big screen.

San Francisco Chronicle Mick LaSalle

You could blast for it, and you still won't find 30 uninterrupted seconds of truth in Baby Mama. The characters are lies. Their emotional workings are lies. The jokes are based on lies about human behavior.

Portland Oregonian M. E. Russell

Sporadically funny, bland, talent-wasting junk.

Film Threat Pete Vonder Haar

There’s a lot of talent up there on the screen, and some authentic laughs, but too much of it is comedy territory that was claimed long ago.

Washington Post Ann Hornaday

For those who crave mannerisms and shtick and like their jokes set up and knocked out with plenty of arrows and quote marks, Baby Mama may fall flat. But audiences alive to the modest charms of its take on female friendship will be rewarded with at least a few quiet chuckles.

The New York Times Manohla Dargis

The film never comes fully to term, as it were: the visual style is sitcom functional, and even the zippiest jokes fall flat because of poor timing. But, much like the prickly, talented Ms. Fey, it pulls you in with a provocative and, at least in current American movies, unusual mix of female intelligence, awkwardness and chilled-to-the-bone mean.

Christian Science Monitor Peter Rainer

Poehler is the life of the party and steals just about every scene, although there's not much to steal.

Village Voice Robert Wilonsky

Ultimately, that's all this shrugging disappointment is: a "Saturday Night Live" sketch stretched a good hour past its breaking point of no return.

Chicago Tribune Michael Phillips

Midway through I started wondering why I wasn't laughing more. "Baby Mama" was not written by Fey and/or Poehler, which may be the reason.

Slate Dana Stevens

Baby Mama is the most disappointing movie of the year so far--which, granted, isn't saying a lot in mid-April.

Newsweek David Ansen

Baby Mama is rescued by two scene-stealing veterans: Sigourney Weaver as the smug, patrician owner of the surrogate company, and a priceless, ponytailed Steve Martin as the self-infatuated New Age owner of Round Earth. These two aren't onscreen a lot, but the movie seems most fully alive when they are.

Wall Street Journal Joe Morgenstern

The show is redeemed by its co-stars, up to a point. They struggle womanfully, and sometimes successfully, to find truth in the script's silly symphony of false notes.

Chicago Reader J.R. Jones

The script favors routine "Odd Couple" gags over the sort of comic contemplation of motherhood a writer like Fey might have brought to the subject.

Miami Herald Connie Ogle

Just amusing enough to provoke a few chuckles and just short enough to keep you from glancing at your watch.

The Globe and Mail (Toronto) Liam Lacey

A painfully predictable movie.

Baltimore Sun Michael Sragow

By the time it reaches its supposedly crowd-pleasing finale, Baby Mama may have self-respecting comedy fans (and even Tina Fey fans) crying uncle.

Austin Chronicle Josh Rosenblatt

Just like it is in the world of "SNL" that Fey, Poehler, and McCullers sprang from, the choice gets made time and again to aim not for the high road but for the great, big, fat, juicy, unchallenging, uncontroversial middle ground, where everybody’s laughing but nothing is all that funny.

Premiere Ryan Stewart

An exhausting 90 minutes of SNL-centric mediocrity that gives one the nagging feeling that Tina Fey's inability to cut the cord is going to quickly start to cool interest in her upcoming projects.

The average user rating for this movie is 6.6 (out of 10) based on 33 User Votes
Note: User votes are NOT included in the Metascore calculation.

Parker H. gave it a2:
About three good laughs through the entire movie- about the same as a 120 second skit on SNL. Should have stayed home and watched that. What a waste of great talent.

Bobbi gave it a5:
Steve Martin was terrific, but the rest of the movie was pretty much contrived and without direction or purpose. The acting quality wasn't really bad, as the actors and actresses were doing the best they could to turn a poorly written script into something.

Brian S gave it a7:
This was a pleasant, if unremarkable, movie. Tina Fey gets slammed for her acting sometimes, but I think she delivers exactly what you expect from her, and Amy Poehler was much better than I expected.as the trashy surrogate mom. However, she seemed about 10 years too old for the role. I liked that Tina Fey was allowed to be a very capable businesswoman, who doesn't mess up her work with "baby fever." Also, the ending struck me as being a bit tossed away, without the ooomph it should have had. Overall, I enjoyed this movie--it's lightweight, but it's a fun night out.

Ellen Smucker gave it a5:
Good natured story about a career woman trying to answer the call of her biological clock. The plot line is predictable but the excellent cast makes the well trodden material entertaining. Steve Martin and Sigourney Weaver are particularly good in wacky supporting roles. It’s beyond me how this film won the weekend box office derby, but I can happily cheer for Tina Fey and Any Poehler; hopefully this will give them the clout to do something a little riskier next time.

Carlos D gave it a2:
Utterly predictable, poorly written, poorly acted and pathetically directed. The director seems to have no semblance of an idea of how to properly time jokes. Most gags don't work and only Amy Pohler's character ever comes close to being likable. The majority of the movie feels like Tina Fey is personally scolding you. Maybe I'd feel better about this if it were a Lindsay Lohan movie or something else with no-talent actors. It's sad to consider just how much great talent (Martin, Hodgman, Kinnear, Weaver and shit, even Fey and Poehler) was wasted on nonsense characters here. Don't waste your time here folks, this film is the least amusing of the season. Probably not even worth watching on TV.

Debbie N. gave it a5:
I thought tina & amy where great together, but the movie was so boring... it could have been over in 15 mins.

Chip gave it a9:
Lighten up folks - it's a comedy. i laughed my cabootie off. Tina and AmyP were awesome and i hope they make more "buddy" films. I'll go. cause i like laughing. y'all should try it sometime.

Baby Mama Universal Pictures

Baby Mama
Universal Pictures