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4 Months, 3 Weeks and 2 Days
IFC First Take

4 Months, 3 Weeks and 2 Days reviews
Critic Score
Metascore: 97 Metascore out of 100
User Score  
7.9 out of 10
based on 37 reviews
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How did we calculate this?
based on 88 votes
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Rate this movie

MPAA RATING: Not Rated

Starring Anamaria Marinca, Laura Vasiliu, Vlad Ivanov, and Alexandru Potocean

During the final days of communism in Romania, two college roommates Otilia and Gabita are busy preparing for a night away. But rather than planning for a holiday, they are making arrangements for Gabita's illegal abortion and unwittingly, both find themselves burrowing deep down a rabbit hole of unexpected revelations. (IFC Entertainment)


GENRE(S): Drama  
WRITTEN BY: Cristian Mungiu  
DIRECTED BY: Cristian Mungiu  
RELEASE DATE: DVD: October 14, 2008 
Theatrical: January 23, 2008 
RUNNING TIME: 113 minutes, Color 
ORIGIN: Romania 
LANGUAGE(S): Romanian / English 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
Empire Damon Wise
Tense, kinetic, intelligent and real – as if Paul Greengrass had remade Vera Drake.
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100
Time Richard Corliss
One of the strongest movies in recent years.
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100
Los Angeles Times Kenneth Turan
This is a film with a commitment to reality unlike any we're used to seeing.
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100
Variety Jay Weissberg
Pitch perfect and brilliantly acted, 4 Months, 3 Weeks & 2 Days is a stunning achievement, helmed with a purity and honesty that captures not just the illegal abortion story at its core but the constant, unremarked negotiations necessary for survival in the final days of the Soviet bloc.
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100
LA Weekly Ella Taylor
Though the frighteningly late-term abortion at its center hints at larger sins in the last gasp of Nicolae Ceausescu’s iron-fisted regime, it’s no metaphor, but a sordidly visceral transaction conducted in the next best thing to a back alley.
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100
Entertainment Weekly Lisa Schwarzbaum
Nothing good happens in 4 Months, 3 Weeks and 2 Days, the riveting, horrifying chronicle of an illegal abortion performed in 1987 when Ceauescu's dictatorial hand still gripped Romania's throat. And yet no lover of greatness in filmmaking will want to look away from one of the very best movies of 2007.
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100
The New York Times Manohla Dargis
It’s a pitiless, violent story that in its telling becomes a haunting and haunted intellectual and aesthetic achievement.
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100
The Onion (A.V. Club) Scott Tobias
4 Months unfolds like one of those street-level Dardenne brothers movies (Rosetta, L'Enfant).
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100
Premiere Glenn Kenny
A remarkably engrossing and thoughtful picture, beautifully rendered in an artful mode of realism.
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100
Wall Street Journal Joe Morgenstern
Elegantly crafted, brilliantly acted film.
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100
New York Daily News Jack Mathews
This year’s foreign language Oscar scandal – there is always at least one – is the snub of director Cristian Mungiu’s disturbing, masterful realist drama following two college roommates as they carry out plans for one’s black market abortion in Communist Romania.
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100
TV Guide Ken Fox
The film is bold stroke that hopes to push Romanian society forward by staring into the dismal failures of its recent past.
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100
Salon.com Andrew O'Hehir
Despite their terrible ordeal these women are heroes, not victims. As Mungiu makes clear in the casual, brilliant final scene of this amazing movie, heroes persevere.
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100
San Francisco Chronicle Mick LaSalle
First, this movie should be enjoyed. Later, marveled at. And then, once the excitement has faded, 4 Months, 3 Weeks and 2 Days really should be studied, because director Cristian Mungiu creates scenes unlike any ever filmed.
100
Christian Science Monitor Peter Rainer
The New Wave of Romanian cinema is the most exciting in the world right now. 4 Months, 3 Weeks, and 2 Days is its latest masterpiece.
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100
Boston Globe Ty Burr
Writer-director Cristian Mungiu confirms the Romanian cinema renaissance while creating a paradoxical marvel: a bleak tale of illegal abortion that powerfully affirms one's faith in people.
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100
Chicago Tribune Michael Phillips
The result is a mixture of unified atmosphere and lived-in character study, and while Vasiliu’s role is not as indelible as that of her co-stars, Marinca’s Otilia and Ivanov’s steely abortionist are just about perfect.
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100
Chicago Sun-Times Roger Ebert
This is a powerful film and a stark visual accomplishment, but no thanks to Gabita (Laura Vasiliu). The driving character is her roommate Otilia (Anamaria Marinca), who does all the heavy lifting.
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100
Seattle Post-Intelligencer Sean Axmaker
A grueling and deeply affecting human drama.
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100
Chicago Reader J.R. Jones
In a truly great movie the form becomes indistinguishable from the story, and that’s certainly the case here.
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100
Village Voice J. Hoberman
Romanian writer-director Cristian Mungiu's brilliantly discomfiting second feature is one long premonition of disaster.
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100
Rolling Stone Peter Travers
You just don't expect Hollywood to produce a masterwork so early in the new year. And it hasn't. This slice of celluloid dynamite comes from Romania, and what you see will floor you.
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100
Baltimore Sun Michael Sragow
Without a single gunshot (and just one flick of a switchblade), it turns into an existential suspense film with the highest stakes imaginable: the survival of the human spirit.
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100
Miami Herald Rene Rodriguez
Brilliant, suspenseful, absolutely riveting film.
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90
Washington Post Ann Hornaday
Anamaria Marinca delivers an utterly transfixing performance as Otilia, a young woman who helps a friend (Laura Vasiliu) obtain an illegal abortion in the waning days of Romania's communist Ceausescu regime.
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90
New York Magazine David Edelstein
The coup de grâce is especially graceless because everything we know is already visible in Marinca’s eyes. The actress is extraordinary.
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90
Slate Dana Stevens
A beautiful and formally compelling work of art.
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88
The Globe and Mail (Toronto) Liam Lacey
Relentlessly dark but expertly rendered, it shares its cinematographer and quality of aggrieved compassion with another recent Romanian art house hit, "The Death of Mr. Lazarescu."
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88
USA Today Claudia Puig
Depressing and gut-wrenching, but always powerful and gripping.
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88
New York Post V.A. Musetto
It is filmmaking as it should be but usually isn't.
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88
ReelViews James Berardinelli
Despite being slow and deliberate, it is often compelling and occasionally riveting. As "The Lives of Others" was in 2007, this is the first memorable movie of 2008.
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83
Portland Oregonian Shawn Levy
A grueling film in both technique and subject matter.
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80
Film Threat Rick Kisonak
This is a tale of friendship, corruption, betrayal and desperation masterfully told without an ounce of filmmaking flash and with an unflinching commitment to realism.
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80
The Hollywood Reporter Ray Bennett
The film is dark, gloomy and without music, but it is also observant and highly suspenseful, with Mungiu using his often static camera to balance banal cruelty with simple generosity.
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80
The New Yorker Anthony Lane
Mungiu’s pacing is so sure, however, in its switching from loose to taut, and the concentration of his leading lady so unwavering, that the movie, which won the Palme d’Or at last year’s Cannes Film Festival, feels more like a thriller than a moody wallow.
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78
Austin Chronicle Josh Rosenblatt
A curious filmgoing experience: Virtuosic, assured, and possessed of undeniable aesthetic force, it’s also hard not to turn away from.
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63
Charlotte Observer Lawrence Toppman
It makes "The Death of Mr. Lazarescu" and "12:08 East of Bucharest," the last glum Romanian movies about life under dictator Nicolae Ceausescu, seem merry.
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What Our Users Said

Vote Now!The average user rating for this movie is 7.9 (out of 10) based on 88 User Votes
Note: User votes are NOT included in the Metascore calculation.

Ailbhe S. gave it a4:
the depiction of a young woman having an abortion in soviet russia is a highly unusual and intriguing theme. the acting throughout the film is very well done although i still could not connect with this film, i found it quite boring at times and i think something much more could be made out of it. it seems any films with the "a" word in them receive very high acclaim and i am worried that people are trying to be so politically correct that they feel they must give in and give films like this so much notoriety. over all impression is one of disappointment.

Fiona B. gave it a5:
Exceptional acting and as a viewer you experience the emotions of the actors but not what I would call a "thriller".

M S. gave it a0:
When it was over, we were glad the pain was over. But we were oh so confused how this movie received such a high rating. It was bad beyond English words (literally).

Mike K. gave it a0:
Is this a joke! I have a 20 minute test and this film failed. i have no idea about what was going on and could actually care less. I read some of the other comments and cannot believe that realism is so compelling when it is totally boring and dull.

Mike D. gave it a5:
Bill B. nailed it right on the head. Story is interesting but lacks a driving plotline. I expected a lot more given all the glowing reviews on metacritic.

Bill B. gave it a2:
You keep expecting something to happen, but nothing Happens in this movie. The doctor makes an unusual request half way through the movie, and that is all.

Andy M. gave it a9:
I was quite excited about seeing this movie, what with the fantastic reviews. And... I can't say I was disappointed, really. It had superb acting, and on the whole it was very well done. It was gripping, to the point that my friend and I were enthralled by every detail the film threw at us as we watched. The sad part is that, after all the thrills and the suspense and the drama, it didn't deliver. We wanted it to go in a Hollywood direction, we wanted that I.D. at the desk to mean something, for that little mention of a phone number to lead somewhere, but it didn't. It was comical, really, how much... MORE wanted. In any other film, this would have been devastating, but the incredible single takes and the emotion that the viewer couldn't help but feel along with the actors made it all too good otherwise. It's a worthwhile watch, just don't go into it expecting anything near your conventional film.

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