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84
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53
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22
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34
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xx
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55
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56
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72
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56
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54
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xx
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23
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65
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61
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30
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63
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74
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79
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74
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57
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33
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52
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61
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66
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21
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46
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20
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xx
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33
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31
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50
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43
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30
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35
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75
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38
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47
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65
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27
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46
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58
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63
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46
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66
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xx
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92
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58
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44
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43
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Stars indicate the most critically-acclaimed movies.
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62
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36
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73
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54
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82
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78
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78
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63
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57
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75
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62
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35
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64
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24
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68
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40
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48
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66
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52
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56
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xx
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70
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83
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73
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73
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74
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73
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50
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66
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67
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85
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75
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76
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30
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52
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60
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53
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43
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71
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68
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77
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68
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66
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40
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69
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50
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76
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59
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24
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73
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55
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80
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57
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51
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32
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78
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91
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33
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60
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67
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74
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79
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57
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55
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55
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65
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86
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53
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69
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63
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58
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72
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69
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41
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76
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66
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36
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47
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64
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74
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35
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xx
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50
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xx
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71
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37
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77
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69
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22
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60
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15
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56
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55
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64
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xx
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69
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91
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68
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World on a Wire
Stars indicate the most critically-acclaimed movies.
State of Play

Generally favorable reviews
Based on 36 critic reviews
How did we calculate this?
Based on 45 votes
Read user comments
Rate this movie >
Movie Info
Genre(s): Crime | Drama | Suspense/Thriller
Written by:
Matthew Michael Carnahan
Tony Gilroy
Billy Ray
Directed by: Kevin Macdonald
Release Date:
Theatrical: April 17, 2009
DVD: September 1, 2009
Running Time: 118 minutes, Color
Origin: USA | UK
Summary
RATING: PG-13 for some violence, language including sexual references, and brief drug content
Starring Russell Crowe, Ben Affleck, Rachel McAdams, Robin Wright Penn, Jason Bateman, Jeff Daniels, and Helen Mirren
Handsome, unflappable U.S. Congressman Stephen Collins is the future of his political party: an honorable appointee who serves as the chairman of a committee overseeing defense spending. All eyes are upon the rising star to be his party's contender for the upcoming presidential race. Until his research assistant/mistress is brutally murdered and buried secrets come tumbling out. McAffrey has the dubious fortune of both an old friendship with Collins and a ruthless editor, Cameron, who has assigned him to investigate. As he and partner Della try to uncover the killer's identity, McAffrey steps into a cover-up that threatens to shake the nation's power structures. And in a town of spin-doctors and wealthy politicos, he will discover one truth: when billions are at stake, no one's integrity, love or life is ever safe. (Universal Pictures)
Also On Metacritic
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Also On The Web: Internet Movie Database Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Premiere Rob Calvert
This is a smart script. There is a wealth of twists, but none of them have to beat you over the head.
Read Full Review >Baltimore Sun Chris Kaltenbach
Nothing is as it seems in State of Play, a crackerjack political thriller in which no individual, profession or institution gets away clean.
Read Full Review >Entertainment Weekly Owen Gleiberman
Spins a thorny tale of political corruption laced with personal sleaze.
Read Full Review >Philadelphia Inquirer Carrie Rickey
Acting-wise, the showstopper is Jason Bateman, with a diabolically entertaining turn as a smarmy PR man remarkably free with confidential information.
Read Full Review >Charlotte Observer Roger Moore
As dense as a Watergate-era newspaper and as immediate as a blog, State of Play is an absolutely riveting state-of-the-art "big conspiracy" thriller.
Read Full Review >TV Guide Jason Buchanan
A rare treat for cinema lovers starved for the days when scruffy newspaper reporters fearlessly sniffed out corruption, State of Play delivers the kind of conspiratorial thrills that would have made Pakula proud.
Read Full Review >Portland Oregonian Shawn Levy
Until State of Play slips into its small cascade of improbabilities near its end, it proves a thoroughly engaging and professional enterprise.
Read Full Review >Empire Dan Jolin
Once you get over the unlikelihood of Affleck and Crowe as buddies, State Of Play stands as a sterling thriller, benefiting from admirable convictions and an arguable return to form by Russell Crowe.
Read Full Review >Salon.com Stephanie Zacharek
An intelligent adult thriller about the death of newspapers.
Read Full Review >Film Threat Scott Mendelson
It is a refreshingly traditional star-driven thriller.
Read Full Review >San Francisco Chronicle Mick LaSalle
For about 115 minutes, State of Play tells an alarming, tightly constructed story, with serious things to say about journalism and the state of the country. The movie appears to be all but over - and likely to stand as one of the best films of 2009. And then the filmmakers add one last embellishment, and they blow it.
Read Full Review >Christian Science Monitor Peter Rainer
State of Play is far from a great movie, but it's sentimental in all the right ways.
Read Full Review >Miami Herald Connie Ogle
Co-written by Tony Gilroy, who penned the tricky "Michael Clayton" and the even trickier "Duplicity," State of Play displays its savvy without being quite so showy.
Read Full Review >Chicago Tribune Michael Phillips
State of Play isn't a kinetic fireball like the second or third "Bourne" installment; like its protagonist, it's defiantly old school, "Three Days of the Condor" bleeding into "All the President's Men."
Read Full Review >Chicago Sun-Times Roger Ebert
The movie never quite attains altitude. It has a great takeoff, levels nicely, and then seems to land on autopilot. Maybe it's the problem of resolving so much plot in a finite length of time, but it seems a little too facile toward the end.
Read Full Review >ReelViews James Berardinelli
There's no question that State of Play feels a little rushed and the density of plot can be daunting, but the resulting tale unfolds with an urgency and sense of verisimilitude that will keep most viewers intrigued and involved without losing many along the way.
Read Full Review >Rolling Stone Peter Travers
Affleck may strike you as off-putting at first, hitting wrong emotional notes, but hang on. State of Play keeps the twists coming.
Read Full Review >New York Daily News Joe Neumaier
The result is a paper-thin alliance between the old-school Cal and the new-media Della. Crowe, husky and whisky-voiced, is warm amidst all the plot mechanics, and McAdams, perky and efficient, is a smart foil for him.
Read Full Review >Variety Todd McCarthy
In the end, though, it's Crowe who must carry the most freight, which he does with another characterization to relish. Still bulky, although not as much so as in "Body of Lies," long-tressed and somewhat grizzled, he finds the gist of the affable eccentricity, natural obsessiveness and mainstream contrarianism that marks many professional journalists.
Read Full Review >Washington Post Ann Hornaday
Features a handsome production and terrific performances.
Read Full Review >The Onion (A.V. Club) Scott Tobias
Though solidly plotted and executed all around, the film, too, feels like a quaint relic from another era, aping the form of journalistic thrillers like "All The President’s Men" while missing much of their urgency.
Read Full Review >Austin Chronicle Kimberley Jones
It neither embarrasses the original, nor is superior to it in any way.
Read Full Review >Boston Globe Wesley Morris
The overall lack of subtlety is a riot - there's even a cautionary production of "Peter and the Wolf" happening in the background during one journalist-politician showdown at a Beltway gala. Still, it's a pleasure watching this cast make the most of the material.
Read Full Review >Village Voice J. Hoberman
An effectively involving journalism-cum-conspiracy yarn with a bang-bang opening and a frantic closer.
Read Full Review >New York Magazine David Edelstein
It's tricky, it's surprising, and it's largely faithful to the original mini-series, but in context it's a nonevent. It's like a time bomb that's never dismantled but never explodes. The movie is good enough that the ending leaves you … not angry, exactly. Unfulfilled.
Read Full Review >The New Yorker David Denby
Crowe has an animal quickness and sensitivity, a threatening way of penetrating what someone is up to, a feeling for weakness in friends as well as opponents. He seems every inch a great journalist; it's not his fault that the filmmakers let the big story slip through their fingers.
Read Full Review >The Globe and Mail (Toronto) Rick Groen
Those Hollywood tricksters have managed to shorten the story while slowing the pace -- all of a sudden, minutes are passing like hours.
Read Full Review >Chicago Reader J.R. Jones
This manages to make the real seem generic, rather than the other way around.
Read Full Review >Los Angeles Times Betsy Sharkey
Somehow when State of Play should be at its stomach-clenching best, the tension simply evaporates.
Read Full Review >Slate Dana Stevens
After a bracing first hour, State of Play defaults on the most basic promise of the conspiracy thriller. Instead of luring us down an ever-darker and twistier path, it strands us in a tedious and ill-designed maze.
Read Full Review >The Hollywood Reporter Kirk Honeycutt
There is nothing we haven't seen here before in terms of chases, intrigue and betrayals, so for all its A-list cast and production values, the film comes off as routine.
Read Full Review >Time Richard Corliss
The film's director, Kevin Macdonald, who did "The Last King of Scotland," is not a flair fellow. The chase scenes interpolated into this version have no special oomph; the encounters no residual kick. Paging Ridley Scott? Oh, sorry, too late. So there it is: another film that can't compete with a TV show.
Read Full Review >The New York Times A.O. Scott
A superficially clever, self-important and finally incoherent thriller.
Read Full Review >Wall Street Journal Joe Morgenstern
There's simply too much stuff for a two-hour feature, and three writers, including Tony Gilroy, haven't figured out how to boil it down into a readily comprehensible narrative, or how to solve the problem of an ending that goes blah rather than bang.
Read Full Review >New York Post Kyle Smith
State of Play is bordered by the states of absurdity and cliché.
Read Full Review >What Our Users Said
The average user rating for this movie is 7.4 (out of 10) based on 45 User Votes
Note: User votes are NOT included in the Metascore calculation.
Manus A gave it a7:
This was an intriguing political thriller. It's not the Oscar contender it could have been, but still worth seeing. Robin Wright Penn, Jason Bateman, and Rachel McAdams were the key navigators of the plot, and sometimes steal scenes from Mirren and Crowe, who are good as always. Affleck had a weird approach to his character, but is still believable. The twist was intelligent but the movie didn't build enough suspense to reach that twist effectively. This has a marvelous backstory which I want to give away but won't, and is also an example of cliches well-executed and excellent. That said, it could have used some more originality. Without the performances of Penn, Bateman, and McAdams, this probably would have gotten a 6.
Winston L. gave it a10:
Russell Crowe is on my Oscar-watch.
Elias C gave it a5:
"State of Play' is an American adaptation of a BBC 6 hour mini-series. Hollywood should have left well enough alone. Although the performances of Crowe and Afleck are very good, This version of 'State of Play' is no 'All the President's Men' which it tries at times to emulate. The film unsuccessfully tries to be an adult political thriller. It fails miserably. There is enough of an interesting plot in tis verion that I want to watch the original BBC production. I can only hope that it does not have the same off-the-wall, illogical, and dumb ending, or if it does, that the explanation and logic behind the ending is more understandable than this lame thriller.
Firstian A. gave it a4:
It's too long story... the twist is just predicted by half the film. The plot was to slow, no heart beating, no adrenaline paced. 2 hours of boring film, I almost sleep while seeing.
Lenny M. gave it a4:
Not a good movie, the story was ok, but the acting was horriable. Russell crowe and bEn should never ever ever do a movie again.
Jay H. gave it a7:
Fascinating and complex thriller, fine acting, excellent score. Suspenseful and it always holds your interest. The general plot isn't that original, but it's very well done.
Steve gave it a5:
Ninety-five percent of this movie is a smart, engrossing, well-acted thriller. I wasn't crazy about how it was shot -- too much washed out color and hand-held camera for this type of story -- but the script was tight and the performances good. Then came the ending. Without giving away what happens, let me just say that it's hard to imagine how a film this big makes it through all the studio execs and test screenings without somebody realizing that the ending simply doesn't make sense. I spent a good amount of time trying to go back through the events and figure out how the various characters knew what they supposedly did, but it doesn't come together. Then I went online and found that it doesn't make sense to anyone else either. It's really too bad, because this could have been a great movie if they'd just left it alone. It didn't even need the extra twist which wound up killing the overall experience.
