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Stars indicate the most critically-acclaimed movies.

58
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64
Appaloosa
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54
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Special
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xx
Yonkers Joe
93
Class, The
89
Man on Wire
88
Waltz with Bashir
86
Slumdog Millionaire
84
Christmas Tale, A
84
Happy-Go-Lucky
84
Silent Light
83
Trouble the Water
83
U2 3D
82
Tell No One
82
Rachel Getting Married
82
Let the Right One In
81
Wrestler, The
80
Wendy and Lucy
80
Stranded: I Have Come from a Plane That Crashed on the Mountains
80
Frost/Nixon
79
I've Loved You So Long
78
Pray the Devil Back to Hell
77
Secret of the Grain, The
76
Betrayal - Nerakhoon, The
75
Pool, The
74
Moscow, Belgium
73
Gran Torino
73
Girl Cut in Two, A
72
I Served the King of England
71
What Doesn't Kill You
70
Black Balloon, The
70
Hunger
70
Doubt
70
I.O.U.S. A
69
Ashes of Time Redux
69
Fear(s) of the Dark
68
August Evening
68
Theater of War
67
Synecdoche, New York
66
Che
65
Timecrimes
64
JCVD
64
Nothing But the Truth
64
Appaloosa
64
Scott Walker: 30 Century Man
63
Changeling
63
Eden
62
Duchess, The
61
Where God Left His Shoes
59
Last Chance Harvey
59
We Are Wizards
58
Adam Resurrected
58
Reader, The
57
Special
57
Defiance
56
Religulous
55
Boy in the Striped Pajamas, The
55
What Just Happened?
54
Battle in Seattle
54
Good Dick
53
RocknRolla
51
Breakfast with Scot
49
How About You
46
Dukes, The
43
Tru Loved
43
Gardens of the Night
40
While She Was Out
40
Igor
40
Other End of the Line, The
38
Dark Streets
36
My Name Is Bruce
36
Good
34
Otto; or Up with Dead People
32
Repo! The Genetic Opera
31
Hounddog
31
Let Them Chirp Awhile
30
Guitar, The
29
Lake City
28
Nobel Son
28
Fireproof
26
House of the Sleeping Beauties
26
Filth and Wisdom
xx
Just Another Love Story
xx
Dostana
xx
Cargo 200
xx
Local Color
xx
Rab Ne Bana Di Jodi
xx
Not Easily Broken
xx
Yonkers Joe
xx
Extreme Movie
Stars indicate the most critically-acclaimed movies.
|
Kingdom of Heaven
20th Century Fox Pictures
FILM:
MPAA RATING: R for strong violence and epic warfare
Starring
Orlando Bloom,
Eva Green,
Brendan Gleeson,
Jeremy Irons,
Liam Neeson,
Alexander Siddig,
David Thewlis,
and
Jouko Ahola
An epic adventure about a common man who finds himself thrust into a decades-long war, a stranger in a strange land. He serves a doomed king, falls in love with an exotic forbidden queen, and rises to the knighthood. Ultimately, he must protect the people of Jerusalem from overwhelming forces while striving to keep a fragile peace. (20th Century Fox)
| GENRE(S): |
Action
|
Drama
|
Romance
|
War
|
| WRITTEN BY: |
William Monahan
|
| DIRECTED BY: |
Ridley Scott
|
| RELEASE DATE: |
DVD: October 11, 2005
Video: October 11, 2005
Theatrical: May 6, 2005
|
| RUNNING TIME: |
145 minutes, Color |
| ORIGIN: |
USA / Spain / UK |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
88
Chicago Tribune
Michael Wilmington
A gargantuan epic, a historical adventure-drama of overwhelming visual grandeur.

88
Charlotte Observer
Lawrence Toppman
Bloom finally comes into his own as a man here, somberly thoughtful and melancholic. The elfin archer of "The Lord of the Rings" and the trivial boy-toy of "Troy" have been forgotten.

88
Chicago Sun-Times
Roger Ebert
Better than "Gladiator" -- deeper, more thoughtful, more about human motivation and less about action.

83
Seattle Post-Intelligencer
William Arnold
Its concept is gutsy, its script is literate and intelligent, its visuals and cinematic craftsmanship are mouth-dropping, and its vision of the insanity of various religions vying to dominate the real estate of the Holy Land comes through with great power.

80
LA Weekly
Scott Foundas
In its depiction of a fleeting, but nevertheless factual, peace in the Middle East, Ridley Scott's Kingdom of Heaven may seem a more quixotic Hollywood fantasy than all six Star Wars movies lumped together.

80
Variety
Todd McCarthy
Genuinely spectacular and historically quite respectable, Ridley Scott's latest epic is at its strongest in conveying the savagery spawned by fanaticism.

80
The Hollywood Reporter
Kirk Honeycutt
Fulfills the requirements of grand-scale moviemaking while serving as a timely reminder that in the conflict between Christianity and Islam it was the Christians who picked the first fight.

80
Washington Post
Stephen Hunter
Full of astonishments, not the least of which are its ideas.

80
Los Angeles Times
Kenneth Turan
Scott and company have gotten so accomplished at re-creating history that the results have a welcome offhanded quality, making them spectacular without seeming to be showing off.

78
Austin Chronicle
Marjorie Baumgarten
The story's parallels with the present are sometimes inescapable, as when Saladin's fireballs catapulted at Balian's castle strike an eerie resemblance to the "shock and awe" of the U.S.-led coalition's initial assault on Iraq.

75
San Francisco Chronicle
Mick LaSalle
Screenwriter William Monahan has fashioned an intelligent and highly topical epic. Director Ridley Scott has brought it home with banners flying.

75
Portland Oregonian
Shawn Levy
Scott's cast is like a grand orchestra with various performers filling the roles of instruments: Thewlis a wise, ironic oboe; Neeson a stout cello; Norton a slightly battered flute. As it happens, the piece they're playing is a piano concerto and the keyboard -- that is, Bloom -- isn't big enough to match.

75
New York Post
Lou Lumenick
A rousing, politically correct, Muslim-sympathetic, $140 million take on the Crusades.

75
Rolling Stone
Peter Travers
Odd as it is to say, Kingdom of Heaven loses its momentum the more Balian gets religion.

75
ReelViews
James Berardinelli
Kingdom of Heaven may have problems, but it delivers.

70
Dallas Observer
Bill Gallo
So, if you want to see this loud but rather ordinary epic, don't expect its tricked-up cultural and theological messages to carry much water. For entertainment value, it's hard to beat the climactic siege of Jerusalem, a Ridley Scott-perfect half-hour that matches anything in "Troy" or "Gladiator" for sheer, bloody, helmet-bashing mayhem.

70
Time
Richard Corliss
The battle skirmishes here mix sudden violence with slow-motion artistry. The attractive cast can sell an obsession or articulate a conundrum with equal fervor.

70
Chicago Reader
J.R. Jones
Thoughtful and impressively mounted.

70
The Onion (A.V. Club)
Keith Phipps
Massoud plays Saladin magnetically, and his arrival only illustrates how many opportunities Kingdom misses. Another, better movie would have made him the focus.

67
Entertainment Weekly
Owen Gleiberman
Scott, working from a script by William Monahan, is so busy balancing our sympathies, making sure no one gets offended, that he has made a pageant of war that would have gotten a thumbs-up from Eleanor Roosevelt.

63
Miami Herald
Rene Rodriguez
But if the film disappoints on an intellectual level, at least it doesn't skimp on pageantry. This is, without question, one of the most beautifully crafted, visually thrilling war pictures ever made -- a painterly spectacle that leaves you looking for Caravaggio's name in the end credits.

63
Philadelphia Inquirer
Carrie Rickey
It's hard to say with assurance whether the flaw is in Bloom's performance or in Monahan's politically correct conception of Balian, precociously secular for a Crusader.

63
Baltimore Sun
Michael Sragow
What sucks the wind out of the movie's sails is the vacuum at its core.

63
Premiere
Peter Debruge
Although Scott seems to be making a point about both parties' ongoing feud for Jerusalem , the movie seems more like a classic Western than a contemporary political allegory.

63
New York Daily News
Jack Mathews
For all its scale, grandeur, historical context and political brass, "Kingdom" is no more compelling a period drama than last year's "Alexander."

60
Village Voice
Michael Atkinson
The movie does what any self-respecting politician would do: sidestep the issues, soft-pedal mortal costs, talk a fat game, and divert your attention away from history with exercises in spectacle and power.

60
Empire
Ian Nathan
A frustratingly thin epic. You're left wanting more exposition, more character development, the tidying up of loose ends.

60
The New Yorker
Anthony Lane
One imagined that a movie about the Crusades would be gallant and mad; one feared that it might stoke some antiquated prejudice. But who could have dreamed that it would produce this rambling, hollow show about a boy?

60
Newsweek
David Ansen
Fails to rouse any passion. A potentially great subject is frittered away, though this being a Scott movie, there's style to spare.

60
Film Threat
Pete Vonder Haar
A handful of nifty battle scenes and some decent performances aren't quite enough to make Kingdom memorable.

50
The New York Times
Manohla Dargis
Scott's ravishing visual style, characterized by a fetishistic attention to surface detail and unrelenting beauty, can work wonders with big subjects, but this is also a director who needs actors powerful enough to shoulder narrative and emotional extremes.

50
USA Today
Mike Clark
Dramatically, even a persuasive supporting cast gets Heaven only so far.

50
Christian Science Monitor
David Sterritt
Bottom line: Kingdom of Heaven is the most exciting action-adventure yarn so far this year. Just don't expect anything deeper.

50
The Globe and Mail (Toronto)
Liam Lacey
The movie espouses a kind of Unitarian ecumenical egalitarianism that has about as much to do with medieval times as quantum physics. No one should be offended except -- of course -- those who like movies that excite the mind as well as the pulse.

50
Slate
David Edelstein
I'd have a lot more respect for Scott if he were actually the virtuoso he pretends to be. "Gladiator" had lousy, disjunctive action, and Kingdom of Heaven is even more maladroit.

50
TV Guide
Maitland McDonagh
Ultimately, despite striving mightily to give everyone a fair shake, the film kindled the ire of conservative Christians and Muslims anyway.

50
Boston Globe
Ty Burr
A mostly lumbering, occasionally rousing epic that walks a bizarre line between historical fact and Hollywood wishful thinking.

40
Wall Street Journal
Joanne Kaufmann
While there's gore by the gallon, inventiveness is in short supply.
40
Salon.com
Stephanie Zacharek
This is muddled and oppressive storytelling (the script is by William Monahan) dotted with elaborate but weightless battle sequences.

30
Washington Post
Desson Thomson
To introduce an archetype like this to western audiences -- as the world weathers culturally and religiously demonizing times -- may have been worth this whole flawed movie. Too bad the story didn't just start with him.


The average user rating for this movie is 7.7 (out of 10) based on 203 User Votes
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