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Stars indicate the most critically-acclaimed movies.

58
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Appaloosa
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Special
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Wrestler, The
xx
Yonkers Joe
93
Class, The
89
Man on Wire
88
Waltz with Bashir
86
Slumdog Millionaire
84
Christmas Tale, A
84
Happy-Go-Lucky
84
Silent Light
83
Trouble the Water
83
U2 3D
82
Tell No One
82
Rachel Getting Married
82
Let the Right One In
81
Wrestler, The
80
Wendy and Lucy
80
Stranded: I Have Come from a Plane That Crashed on the Mountains
80
Frost/Nixon
79
I've Loved You So Long
78
Pray the Devil Back to Hell
77
Secret of the Grain, The
76
Betrayal - Nerakhoon, The
75
Pool, The
74
Moscow, Belgium
73
Gran Torino
73
Girl Cut in Two, A
72
I Served the King of England
71
What Doesn't Kill You
70
Black Balloon, The
70
Hunger
70
Doubt
70
I.O.U.S. A
69
Ashes of Time Redux
69
Fear(s) of the Dark
68
August Evening
68
Theater of War
67
Synecdoche, New York
66
Che
65
Timecrimes
64
JCVD
64
Nothing But the Truth
64
Appaloosa
64
Scott Walker: 30 Century Man
63
Changeling
63
Eden
62
Duchess, The
61
Where God Left His Shoes
59
Last Chance Harvey
59
We Are Wizards
58
Adam Resurrected
58
Reader, The
57
Special
57
Defiance
56
Religulous
55
Boy in the Striped Pajamas, The
55
What Just Happened?
54
Battle in Seattle
54
Good Dick
53
RocknRolla
51
Breakfast with Scot
49
How About You
46
Dukes, The
43
Tru Loved
43
Gardens of the Night
40
While She Was Out
40
Igor
40
Other End of the Line, The
38
Dark Streets
36
My Name Is Bruce
36
Good
34
Otto; or Up with Dead People
32
Repo! The Genetic Opera
31
Hounddog
31
Let Them Chirp Awhile
30
Guitar, The
29
Lake City
28
Nobel Son
28
Fireproof
26
House of the Sleeping Beauties
26
Filth and Wisdom
xx
Just Another Love Story
xx
Dostana
xx
Cargo 200
xx
Local Color
xx
Rab Ne Bana Di Jodi
xx
Not Easily Broken
xx
Yonkers Joe
xx
Extreme Movie
Stars indicate the most critically-acclaimed movies.
|
Body of Lies
Warner Bros. Pictures
 |
|
FILM:
MPAA RATING: R for strong violence including some torture, and for language throughout
Starring
Leonardo DiCaprio,
Russell Crowe,
Mark Strong,
Golshifteh Farahani,
Oscar Isaac,
and
Simon McBurney
Roger Ferris is the best man U.S. Intelligence has on the ground, in places where human life is worth no more than the information it can get you. In operations that take him around the globe, Ferris' next breath often depends on the voice at the other end of a secure phone line--CIA veteran Ed Hoffman. Strategizing from a laptop in the suburbs, Hoffman is on the trail of an emerging terrorist leader who has orchestrated a campaign of bombings while eluding the most sophisticated intelligence network in the world. To lure the terrorist out into the open, Ferris will have to penetrate his murky world, but the closer Ferris gets to the target, the more he discovers that trust is both a dangerous commodity and the only one that will get him out alive. (Warner Bros.)
| GENRE(S): |
Action
|
Drama
|
Suspense/Thriller
|
| WRITTEN BY: |
David Ignatius (novel)
William Monahan
|
| DIRECTED BY: |
Ridley Scott
|
| RELEASE DATE: |
Theatrical: October 10, 2008
|
| RUNNING TIME: |
128 minutes, Color |
| ORIGIN: |
USA |
| LANGUAGE(S): |
English | Arabic |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
88
ReelViews
James Berardinelli
Body of Lies neither panders nor condescends. It involves current events and has a political viewpoint, but it overplays neither.

88
TV Guide
Perry Seibert
The crisply photographed and edited Body of Lies reveals some ambition, for while it certainly works as pure entertainment, this tale of a good man trying to extract himself from an impossible situation offers some commentary on America's feelings about being in Iraq.

80
Village Voice
Scott Foundas
Its generic attributes (and title) notwithstanding, Scott's film may be the sharpest of all the post-9/11 thrillers--and also the most purely entertaining--in the way it maps the vectors and currents of the modern intelligence-gathering game without losing us in its dense narrative thicket.

75
Chicago Sun-Times
Roger Ebert
Body of Lies is a James Bond plot inserted into today's headlines. The film wants to be persuasive in its expertise about modern spycraft, terrorism, the CIA and Middle East politics. But its hero is a lone ranger who operates in three countries, single-handedly creates a fictitious terrorist organization, and survives explosions, gunfights, and brutal torture.

75
Rolling Stone
Peter Travers
The result is commendably non-West-centric, but no less sentimentally conceived.

75
Philadelphia Inquirer
Carrie Rickey
Fascinating and flawed spy thriller.

75
The Onion (A.V. Club)
Keith Phipps
It's not like the screens are so flooded with decent movies that we couldn't use another, particularly a timely, clear-eyed thriller about the Middle East and the role of the U.S. therein.

75
Seattle Post-Intelligencer
William Arnold
As good as it is in pieces, its protagonists are distancing, its story is tangled, its film-noir cynicism is oppressive and unglamorous, and it just doesn't leave us with the satisfying unity of the kind of great movie it wants to be.

75
Baltimore Sun
Michael Sragow
Leonardo DiCaprio brings straight-razor reflexes and rooted emotion to the role of a deceptively rugged CIA man.

75
Boston Globe
Ty Burr
It's a genre film - the action is fierce and nonstop - with a brooding undercurrent of unease that aims for the complexities of John le Carre.

70
Washington Post
Ann Hornaday
With its urgent post-9/11 context and often brutal violence, it seems off-key to describe Body of Lies as a nifty political thriller, but that's what it is.

70
Los Angeles Times
Kenneth Turan
Always crisp and watchable. But as the film's episodic story gradually reveals itself, it ends up too unconvincing and conventional to consistently hold our attention.

70
The Hollywood Reporter
Kirk Honeycutt
It may not be as much fun as old spy movies starring Cary Grant or more recent entertainments such as "Spy Game," directed by Ridley's brother Tony, but it feels all too accurate.

70
The New Yorker
David Denby
The movie is smart and tightly drawn; it has a throat-gripping urgency and some serious insights, and Scott has a greater command of space and a more explicit way with violence than most thriller directors.

67
Austin Chronicle
Marjorie Baumgarten
Ftrangely emotionless. There's little offered in the form of rooting interests or compassionate characterizations, making the film ultimately as ephemeral as its title.

67
Portland Oregonian
Marc Mohan
Doesn't have much new to offer in either style or substance. It's got the same glossy-gritty urban warfare sheen as "Black Hawk Down" and every other Third-World geopolitical action thriller of the last few years.

63
USA Today
Claudia Puig
A tautly paced, well-acted espionage thriller with the requisite explosions and action sequences. Still, it ends up leaving the viewer rather cold.

63
Charlotte Observer
Lawrence Toppman
The romance seems tacked on as a way to humanize this character; there's no reason the nurse would take up with a brash, secretive American.

63
Miami Herald
Rene Rodriguez
It's a generic, clunky title. The movie isn't quite as disposable, but it's not exactly memorable, either.

63
Premiere
Eric Kohn
Scott doesn't bring much to the table as an action director, and his keen storytelling abilities go invisible here.

63
Chicago Tribune
Michael Phillips
The most interesting thing about this slick but frustrating picture is the way it puts Crowe’s Hoffman at the center of our mixed feelings.

60
New York Magazine
David Edelstein
The film has one indelible asset: Mark Strong, who plays the Jordanian spymaster Hani. He's sleek and lounge-lizard sharp like a young Andy Garcia, and he could be bigger than Garcia. The Jordanian holds all the cards, and opposite two superstars, Strong is the only actor who holds the camera.

50
Variety
Todd McCarthy
A mostly formulaic approach that becomes more disappointing as the yarn unwinds.

50
The New York Times
A.O. Scott
As it is, the movie is a hodgepodge of borrowings and half-cooked ideas, flung together into a feverishly edited jet-setting exercise in purposeless intensity.

50
Wall Street Journal
Joe Morgenstern
For all of Ferris's desperate struggles, and for all the director's efforts to emulate the remarkable verisimilitude he achieved in "Black Hawk Down," his new film remains abstract and unaffecting. It's a study in semisimilitude, more Google-Earthly than grounded in feelings.

50
Time
Richard Corliss
In all, Body of Lies is a mixed bag of treats and trials, but it should be seen by audiences, and emulated and improved upon by other top directors.

50
The Globe and Mail (Toronto)
Liam Lacey
The sickly feeling that Body of Lies leaves at its conclusion isn't just about the brutality of its subject; it's the realization that real-life barbarism translates so easily into adrenaline kicks for the multiplex.

50
Slate
Dana Stevens
DiCaprio and Crowe, two supposedly high-wattage movie stars, are remarkably dull to watch together--perhaps because so many of their scenes together take place over the phone.

50
New York Post
Lou Lumenick
Aside from a nifty new way to avoid surveillance in the middle of the desert, there's nothing here we haven't seen in many other movies - including "Spy Game," directed by Scott's brother Tony before 9/11.

50
San Francisco Chronicle
Mick LaSalle
Lacks, a story that makes it feel personal.

50
Chicago Reader
J.R. Jones
Like Scott's last picture, "American Gangster," this is a little too slick and commanding for its own good; despite Crowe and DiCaprio's best efforts, their characters keep getting flattened by the steamroller narrative.

42
Christian Science Monitor
Peter Rainer
It's a lot easier to follow than "Syriana." But intelligibility is about the only thing this international thriller has going for it.

40
Empire
Ian Nathan
For all the enthralling visuals and action, the film feels garbled.

40
Film Threat
Pete Vonder Haar
Depressingly inert.

40
Salon.com
Stephanie Zacharek
Excessively intricate and extremely dull, the latest example of a filmmaker giving us a disjointed, overlong movie that’s unnecessarily confusing to follow.

40
New York Daily News
Joe Neumaier
It's like torture, though Body of Lies has nothing to spill.

33
Entertainment Weekly
Owen Gleiberman
Most of this just seems, you know, so three years ago, so "Bourne" again.


The average user rating for this movie is 8.3 (out of 10) based on 41 User Votes
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